When I'm feeling particularly blocked creatively, I like to go to the bookstore and scan through the books on writing and publishing. Most of the time I find advice books that appear to be written to the complete novice with lots of time-soaking exercises that, although I'm sure have some merit, seem mostly included to beef up the page count and rather skimpy advice.
On my last visit, I found Jessics Page Morrell's Thanks, But This Isn't For Us: A (Sort of) Compassionate Guide to Why Your Writing is Being Rejected. Written in a genuine and frank voice, Morrell has produced not only a useful guide to writing the best novel one can but, also, a practical handbook to understanding the mind of the publisher and what he or she is expecting, including what Morrell referrs to as "Deal Breakers," those absolute no-no's that will cause your manuscript to be rejected.
After reading through it, I saw many mistakes I needed to fix in my first draft and wanted to start revising right away. However, I was happy I read to chapter 13 first, "The Final Edit: Fixing Your Manuscript Without Losing It." With Morrell's helpful advice, I realized that if I didn't finish the first draft before going back for a major revision, I might trip myself up and lose momentum. In this chapter, Morrell lays out step-by-step the process for revision, from the larger issues of structure and plot to the more detailed, fine revision work of language clarity, cohesion, and resonance.
Check out Morrell's blog: The Writing Life Too and her website at www.writing-life.com.
What is "Doom Eager"?
Lorrie Moore, from "Better and Sicker"
"Martha Graham speaks of the Icelandic term "doom eager" to denote that ordeal of isolation, restlessness, caughtness and artistic experiences when he or she is sick with an idea. When a writer is doom eager, the writing won't be sludge on the page; it will give readers -- and the writer, of course, is the very first reader -- an experience they've never had before, or perhaps a little and at last the words for an experience they have."
"Martha Graham speaks of the Icelandic term "doom eager" to denote that ordeal of isolation, restlessness, caughtness and artistic experiences when he or she is sick with an idea. When a writer is doom eager, the writing won't be sludge on the page; it will give readers -- and the writer, of course, is the very first reader -- an experience they've never had before, or perhaps a little and at last the words for an experience they have."
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